影戏申报了上世纪九十年月的哈萨克小镇，四个少年各自的性命之路。扎哈推斯正正在备受女亲的煎熬，后者果曾是一个诈骗犯而找没有到工做，为了资助女亲，他没有能没有正在玉米减工场挨工。巴推潘有一把好嗓子，能够将“万祸玛丽亚”唱的有声有色，然则校园死涯教会他的是运用自身的拳头而没有是音响。扎哈巴则正在飘流正在乡村里的渣滓堆中，寻找能够卖的兴金属，他与其余三名同龄离家出走的男孩子睡正在烧毁的隧讲中。阿斯兰正正在为医药教勤奋，然则当他压服自身的女友人人工流产以后，他的人品收死了完全的转变。 A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016
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